News and Press Releases

I like mixing her on the D5. My personal opinion is, as an engineer, tha t you wan t as much information in front of you at any one time as you can possibly have in the live environment. So i t’s good to be able to look at the board and see all your channels in fron t of you.
Chris Pyne - Kylie’s Showgirl tour

We were early-adopters of the D5T. After having a few introductory demonstrations of the SD7 hardware over the past year, we had been looking for an opportunity to use the new console in a show situation. Since we have been doing Broadway Bares for about 10 years, we thought it would be a great chance to introduce some exciting new technology to our regular system.
Nevin Steinberg - Acme Sound Partners

I had all incoming channels double patched into the D5 to have two different mixes - one for the front system, the other for the in-ear monitoring system. To differentiate easily between the mixes, I put the channels on different layers, which means I was still able to retain clarity for both mixes. The separated mixes had their own EQ and dynamics, so I could also do adequate and individual settings for the monitor system. In this particular situation, one D5 digital console could fulfil all requirements to the complete satisfaction of the band and the audience.
Roger Wagener - FOH & Monitor Engineer for Texas Lightning

Our rental customers in live touring, events, television and theatre expect Ampco Pro Rent and the Synco Europe Network to offer state of the art in audio equipment. The SD7 represents the latest in a long line of innovations from DiGiCo, with a large number of important advancements that offer more creative and logistical possibilities for all kinds of productions.
Fred Heuves - CMO Ampco Flashlight Group