DISCOVER DiGiCo

In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your hands on. You also want a console and audio tools as well thought out for every major application as they are designed for the art and science of sound engineering.

Live Sound

From sold out stadiums to intimate live performance venues, sound engineers agree on one thing – for the best digital mixing consoles for live sound, the only name that matters is DiGiCo.

As the recognised worldwide standard for live audio mixing, DiGiCo consoles are renowned for their industry leading sound quality and ease of use. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute reliability that the world’s biggest tours rely upon.

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House of Worship

For every house of worship audio team, the decision to invest in a professional digital console is about more than just choosing the best mixer for church sound, it’s an opportunity to transform how you deliver the message to your congregation.

From compact and affordable digital mixing consoles such as the S21 up to the immense power of the SD7, the most trusted large format mixing desk for live sound, DiGiCo has the solution you need to raise up your service to the next level.

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Broadcast

From versatile outside broadcast units to mission critical news studios, broadcasters worldwide now rely on the famous stability and efficient workflow of DiGiCo digital mixing consoles.

Featuring advanced connectivity and networking options plus the adaptability required to rapidly meet even the most demanding of broadcast challenges, the DiGiCo SD Broadcast range of digital desks is leading the way forward.

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Theatre Sound

From plays on the fringe to Broadway musicals and West End spectaculars, the world’s most successful theatre sound designers and producers agree on one thing – for the best digital mixing consoles for theatre sound, the only name that matters is DiGiCo.

No matter whether your sound design features the latest in immersive audio and sound localisation or makes a star of the simple spoken word, DiGiCo has the solution you need to raise your technical production to the next level.

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Corporate

From small company gatherings to the most ambitious corporate functions, the key to making the most of the corporate events market is being heard but never seen. For production companies seeking to deliver a seamlessly professional service whilst benefiting from maximum return on investment, the only name that matters is DiGiCo.

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Sport

As the recognised worldwide standard for audio mixing, DiGiCo consoles are renowned for their industry leading sound quality, efficiency of operation and rock solid reliability. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute stability that the world’s biggest sporting events rely upon.

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Installed Sound

With 4REA4, DiGiCo is pushing the boundaries of commercial audio and simplifying the most complex multi-stage and multi-space venues. The 4REA4 Processing Engine combines with a range of external I/O and multi-layer, programmable controllers to form an expandable, easy-to-operate solution for installed sound. When today’s permanent audio installations require versatility and reliability in equal measure, DiGiCo has the answer.

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DiGiCo did an amazing job with the 32-Bit Stadius Pre Amps. The noise floor is almost zero, and the dynamic range is incredible. Using them on vocals gave me a big, clean sound.

Kevin Brown - FOH Engineer - Nicki Minaj

Providing high quality audio to such a huge audience over considerable distances was challenging, but the results were fantastic. The DiGiCo consoles were a big part of the success of the overall system.

Krzysztof Polesinski - Audio Enginer - World Youth Day

“Once you have it set up, your life becomes even better.”

George Panolaskos, Monitor Engineer

“I feel that artistic performance is an essential part of civilised society. What are we without music? Without the shared experience of live musical performance? Musicians and their support staff (crew) are being left behind in this pandemic, most with little or no support from government. Dedicated professional artistic people, expected to re-train? Re-train as what? Who will express the feelings of society if we are all driving vans or laying bricks?”

Joe Campbell, broadcast and monitors

At the end of the day, it is an SD console. The only significant difference between that SD12 and the big SD7s in the main monitor position and at FOH is the number of inputs and outputs and actual faders. In terms of ability, EQ and overall operation, we lose nothing with the SD12.

Randy Weinholtz - Clair Crew Chief & Aerosmith System Engineer
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