In a world as competitive for engineers as it is for console owners, you want the best tools you can lay your hands on. You also want a console and audio tools as well thought out for every major application as they are designed for the art and science of sound engineering.
From sold out stadiums to intimate live performance venues, sound engineers agree on one thing – for the best digital mixing consoles for live sound, the only name that matters is DiGiCo.
As the recognised worldwide standard for live audio mixing, DiGiCo consoles are renowned for their industry leading sound quality and ease of use. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute reliability that the world’s biggest tours rely upon.Read More
For every house of worship audio team, the decision to invest in a professional digital console is about more than just choosing the best mixer for church sound, it’s an opportunity to transform how you deliver the message to your congregation.
From compact and affordable digital mixing consoles such as the S21 up to the immense power of the SD7, the most trusted large format mixing desk for live sound, DiGiCo has the solution you need to raise up your service to the next level.Read More
From versatile outside broadcast units to mission critical news studios, broadcasters worldwide now rely on the famous stability and efficient workflow of DiGiCo digital mixing consoles.
Featuring advanced connectivity and networking options plus the adaptability required to rapidly meet even the most demanding of broadcast challenges, the DiGiCo SD Broadcast range of digital desks is leading the way forward.Read More
From plays on the fringe to Broadway musicals and West End spectaculars, the world’s most successful theatre sound designers and producers agree on one thing – for the best digital mixing consoles for theatre sound, the only name that matters is DiGiCo.
No matter whether your sound design features the latest in immersive audio and sound localisation or makes a star of the simple spoken word, DiGiCo has the solution you need to raise your technical production to the next level.Read More
From small company gatherings to the most ambitious corporate functions, the key to making the most of the corporate events market is being heard but never seen. For production companies seeking to deliver a seamlessly professional service whilst benefiting from maximum return on investment, the only name that matters is DiGiCo.Read More
As the recognised worldwide standard for audio mixing, DiGiCo consoles are renowned for their industry leading sound quality, efficiency of operation and rock solid reliability. From the compact and affordable S21 all the way up to the pioneering power of Quantum 7, DiGiCo delivers the workflow, the feature-set and the absolute stability that the world’s biggest sporting events rely upon.Read More
With 4REA4, DiGiCo is pushing the boundaries of commercial audio and simplifying the most complex multi-stage and multi-space venues. The 4REA4 Processing Engine combines with a range of external I/O and multi-layer, programmable controllers to form an expandable, easy-to-operate solution for installed sound. When today’s permanent audio installations require versatility and reliability in equal measure, DiGiCo has the answer.Read More
There was no way this could have been done this quickly without fiber, and without the SD11s interface and other functions, adding to that on-site support from Group One s Ryan Shelton. In terms of technology and support, DiGiCo was at the heart of making this event work perfectly.
After chatting to other engineers and friends at different companies, I decided a DiGiCo SD7 was what I needed. And I was right. It didn’t baulk at anything we threw at it and has such amazing routing options that it was very easy to switch over. Also, thanks to the SD-Racks, I found myself ditching the plugins I’d been using. I just didn’t need any fake analogue warmth and, without the blatant over-compensation and ‘saturation’ that some desk manufacturers build in, I quickly found that what goes in to the SD7, is what comes out.