DiGiCo’s Stealth Core 2 engine has taken the SD range to the next level. Thanks to some smart developments in FPGA technology, the entire range is quicker and more powerful, capable of even more processing channels. Not only does every SD console now benefit from expanded bussing and a greater palette of on-board effects, there’s Dynamic EQ and a DiGiTube on every channel and buss, and thanks to a refined new-look application code, the whole user experience is instantly more satisfying.

FREE Console Upgrades

For SD7, SD7 Quantum, SD5CS and SD12 the Upgrade to the Core 2 interface is free of charge. Please complete the form below to download.

LOOKING FOR SD10 RE? Please contact us for information on the SD10 RE Stealth Core 2 upgrade software.

I was really impressed with the sonic quality of the S21. It sounds every bit as good as the SD series

Fredrik Mindness - Audio Enginner - Madcon

As well as the great sound quality, my favourite SD7 features are its great resources and the Optocore protocol. In this specific case, it was a great help, because on large important events, the availability of resources (channels, groups, aux sends, matrices, etc.) is fundamental, as has the possibility of sharing part of them over an extremely reliable network

Daniel Tramontani

The amazing way DiGiCo has ensured backwards compatibility with its technology and a consistency in its interface design means our students can leave being trained on the 338 and be comfortable with jumping on any of the SD range on consoles in the field.

Gareth Evans - Teaching Fellow in Sound - GSA

I was offered the use of an SD7 at FOH when Daughter was supporting Ben Howard and I haven't looked back since. That comes down to the fact that whatever the question is, there is always a yes answer - no matter what you want the console to do, you can find a way

Neil Dodd - FOH Engineer - Daughter

“One of my favorite things about the workflow of the desk overall is the ability to lay the show out exactly how I need it,”. “Being able to place faders anywhere I like has opened up a workflow for me that is easier and more intuitive for operating the show than any other desk on the market. And I enjoy having three fader banks. While we don’t have a crazy channel count, it’s nice to be able to configure the desk in a way where there is minimal digging around for channels during the show.”

Bob Boyle

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